Meg Alexander
  I am interested in the relationship between experience,
perception and memory. How do we process events and
discoveries and create new experiences? What changes as we
move from our initial perceptions of an event to our memory of
it, and finally to the making of an object or image meant to
encapsulate or parallel the experience?

The processes that I use are time intensive and depend upon a layering up of marks. As a result, time (the passing of time) emerges as an inevitable subject of the work.